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Serpotta Giacomo

Boy

However, a response of the highest value to Bernini's proposals was to come, between the seventeenth and eighteenth centuries, only with the sculpture of Giacomo Serpotta, a most brilliant artist, of irrepressible yet rigorously coherent imagination, who was able to confer on the humble material he always preferred, stucco, the significance of absolute art, so much so that he has been judged one of the greatest sculptors of eighteenth-century Europe.

How to cite

Bruno Balestrini (photograph), “Boy”, work by Serpotta Giacomo, Baroque Sculpture, Palermo, Oratorio del Rosario in Santa Cita. Bruno Balestrini Photographic Archive, https://brunobalestrini.org/cita/sch00401/. Accessed [date accessed].

This English text was translated with the help of artificial intelligence (Claude) from the Italian original, except where an English version already existed in the original archive. Read the Italian version.