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Ferrata Ercole

Martyrdom of St. Emerentiana

Between Bernini's impetuous language and Algardi's classicising cadences there arose a sort of comfortable eclecticism, to which almost all the many sculptors who were later to, from Rome, spread the Baroque language throughout the peninsula. The Lombard Ferrata was the most highly regarded of these popularisers, extremely industrious and variously effective.

How to cite

Bruno Balestrini (photograph), “Martyrdom of St. Emerentiana”, work by Ferrata Ercole, Baroque Sculpture, Rome, Sant' Agnese in Agone. Bruno Balestrini Photographic Archive, https://brunobalestrini.org/cita/sch00368/. Accessed [date accessed].

This English text was translated with the help of artificial intelligence (Claude) from the Italian original, except where an English version already existed in the original archive. Read the Italian version.