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Nicola Pisano

The Adoration of the Magi

The majestic balance of the spatial divisions, the liturgical eurhythmy of the gestures, even of the glances, the abrupt sculptural evidence and the still explicitly Romanesque squareness of the figuration would seem to isolate it in an arcane impassivity. Yet beneath the firm monumental structure the marble vibrates with restrained luminosity, so that the sacredness of the epiphany of the divine to man, though reaffirmed with supreme firmness, is set within a range of more accessible and universal feelings.

How to cite

Bruno Balestrini (photograph), “The Adoration of the Magi”, work by Nicola Pisano, Gothic Sculpture, Pisa, Baptistery. Bruno Balestrini Photographic Archive, https://brunobalestrini.org/cita/sch00555/. Accessed [date accessed].

This English text was translated with the help of artificial intelligence (Claude) from the Italian original, except where an English version already existed in the original archive. Read the Italian version.