Brenzoni Monument

Emigrating to the North, Nanni di Bartolo, known as il Rosso, brought with him the ferment of the Florentine milieu between Gothic and Renaissance, bristling with contradictions and uncertainties, before the revolutionary genius of Donatello. Even if Nanni lacked the clarity of a wholly new vision, in individual parts of his works he could achieve genuinely original and innovative effects and meanings.