Filarete
Door of St. Peter's
Compared with schiacciato, the idiom of rational and naturalistic intentions, Filarete's low relief is evidently a deliberately erudite and abstract expression. The adoption of iconographic motifs from Late Antique friezes and Early Christian ivories is fully coherent with art of the quattrocento in Rome.
How to cite
Bruno Balestrini (photograph), “Door of St. Peter's”, work by Filarete, Renaissance Sculpture, Rome, Basilica di San Pietro in Vaticano. Bruno Balestrini Photographic Archive, https://brunobalestrini.org/cita/sch00048/. Accessed [date accessed].