Pulpit

The Dionysian motif of the dancing winged Erotes seemed most fitting to the artist to symbolise the rejoicing at the showing of the Holy Girdle, and the effects of a modelling that makes use of broken surfaces, stiacciato, contrasts of materials and colours, taken from Hellenistic, Etruscan, Byzantine and medieval examples, are fused in the new intention of creating a direct and natural vision of animated space.