Anonymous
The Adoration of the Magi
Within the wide sphere of Antelami's influence lie works of very different quality and tone, each artist and each school absorbing from the Parma master what best suits its taste. This fragment from the old cathedral of Milan interprets Antelami with a certain archaic rigidity and at the same time with a decorativeness foreign to the Emilian school.
How to cite
Bruno Balestrini (photograph), “The Adoration of the Magi”, work by Anonimo, Romanesque Sculpture, Milan, Museo d'Arte Antica del Castello Sforzesco. Bruno Balestrini Photographic Archive, https://brunobalestrini.org/cita/sch00495/. Accessed [date accessed].