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Anonymous

The Marys at the Tomb

Slightly later, and due to various hands, is the fascinating proliferation of reliefs on the capitals of the Monreale cloister. In the more complex examples, such as this one, the figures do not follow the shape of the capital to bring out its architectural structure; instead, autonomous scenes unfold freely.

How to cite

Bruno Balestrini (photograph), “The Marys at the Tomb”, work by Anonimo, Romanesque Sculpture, Monreale, Cloister. Bruno Balestrini Photographic Archive, https://brunobalestrini.org/cita/sch00536/. Accessed [date accessed].

This English text was translated with the help of artificial intelligence (Claude) from the Italian original, except where an English version already existed in the original archive. Read the Italian version.