Nicolaus
Pulpit
Even when there is a residue of proto-Romanesque elements - such as the telamon supporting the eagle, and the eagle itself - the elaborate and rather decadent construction, decorated with squares containing rosettes that resemble coffering, indicates the thirteenth century.
How to cite
Bruno Balestrini (photograph), “Pulpit”, work by Nicolaus, Romanesque Sculpture, Bitonto, Cathedral. Bruno Balestrini Photographic Archive, https://brunobalestrini.org/cita/sch00539/. Accessed [date accessed].