The Last Supper

As we have already seen, in Tuscany too the marble carvers reach peaks of extreme refinement. The pulpit at Volterra, reassembled from panels by various hands, owes its beauty not so much to the figures, by a follower of Guglielmo akin to Guido Begarelli but coarser, as to the gleaming, polished treatment of the marble, brought to alabaster-like effects.