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A Prophet

In the reliefs of the oldest part of the Orvieto decoration (prior to Maitani's arrival), a clear mediation can be seen between the Byzantine neo-Hellenistic tradition and the Gothic language; a mediation in which there played a part, through certain characteristic contributions and references, easily documented also in the most celebrated painters of the time, manuscript illumination and ivory carving.

How to cite

Bruno Balestrini (photograph), “A Prophet”, work by Anonimo, Gothic Sculpture, Orvieto, façade of the Cathedral. Bruno Balestrini Photographic Archive, https://brunobalestrini.org/cita/sch00629/. Accessed [date accessed].

This English text was translated with the help of artificial intelligence (Claude) from the Italian original, except where an English version already existed in the original archive. Read the Italian version.