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Two Saints from the Shrine of the High Altar

Exponents of one of the many strands of the prolific and highly active Campionese school – architects and master builders as well as stonecutters – the sculptors of these stocky, wild-eyed figures, already predisposed, despite the thickness of their limbs, to take on Gothic movements (note the tendency of the bodies to arch), adopt openly expressionistic models, far removed from any classical eurhythmy.

How to cite

Bruno Balestrini (photograph), “Two Saints from the Shrine of the High Altar”, work by Anonimo, Romanesque Sculpture, Parma, Cathedral. Bruno Balestrini Photographic Archive, https://brunobalestrini.org/cita/sch00500/. Accessed [date accessed].

This English text was translated with the help of artificial intelligence (Claude) from the Italian original, except where an English version already existed in the original archive. Read the Italian version.