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Giambologna

Virtue Subduing Vice

Clearly, however, the political or patriotic meaning, had no bearing at all on Giambologna's figurative rendering, so much so that in the final group the abstract value prevailed, as the perfect solution of a theoretical proposition: the faces of the vanquished and of the victress bear the stamp of the most imperturbable ataraxia, like Hellenic heroes.

How to cite

Bruno Balestrini (photograph), “Virtue Subduing Vice”, work by Giambologna, Baroque Sculpture, Florence, Museo Nazionale del Bargello. Bruno Balestrini Photographic Archive, https://brunobalestrini.org/cita/sch00023/. Accessed [date accessed].

This English text was translated with the help of artificial intelligence (Claude) from the Italian original, except where an English version already existed in the original archive. Read the Italian version.