Giambologna
Virtue Subduing Vice
Clearly, however, the political or patriotic meaning, had no bearing at all on Giambologna's figurative rendering, so much so that in the final group the abstract value prevailed, as the perfect solution of a theoretical proposition: the faces of the vanquished and of the victress bear the stamp of the most imperturbable ataraxia, like Hellenic heroes.
How to cite
Bruno Balestrini (photograph), “Virtue Subduing Vice”, work by Giambologna, Baroque Sculpture, Florence, Museo Nazionale del Bargello. Bruno Balestrini Photographic Archive, https://brunobalestrini.org/cita/sch00023/. Accessed [date accessed].