Florence
136 works documented in the Bruno Balestrini archive.
Sacrifice of Isaac
Gilded bronze, height cm 54. The only sculpture attributed with certainty to Brunelleschi is this panel of 1401.
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Sacrifice of Isaac
Gilded bronze, height cm 54. Slab with which the artist won the competition for the Baptistery door in 1401.
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The Adoration of the Magi
Gilded bronze (height cm 54), detail of the panel from the north door of the Baptistery, executed between 1403 and 1415 and installed in 1424.
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Agriculture
Marble, height cm 100. Panel belonging to the first tier of decoration, executed by Andrea to a design by Giotto. The panels of the tiers above the first date from after the 15th century; this one dates from 1337.
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The Annunciation
Gilded bronze (height cm 27), detail of the panel from the north door of the Baptistery, commissioned from him after he won the competition of 1401 held by the Arte di Calimala, executed between 1403 and 1415 and installed in 1424.
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The Assumption
Marble, detail of the Porta della Mandorla of Santa Maria del Fiore, on which Nanni worked around 1408.
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Faith
Gilded bronze, height cm 55. Detail of one of the panels depicting the Virtues, from the south door of the Baptistery, executed between 1330 and 1336.
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Medicine
Marble, height cm 100. Panel from the first tier of reliefs decorating the bell tower of Florence Cathedral, on which Andrea worked together with Giotto.
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Navigation
Marble, height cm 60. Detail of a panel representing the 'Human Activities', made by Andrea for the decoration of the Cathedral bell tower, of whose works he became master builder in 1340.
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Hope
Gilded bronze, height cm 50. Detail of one of the panels depicting the Virtues, from the south door of the Baptistery, executed between 1330 and 1336.
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Decorative Lion
Marble, height cm 16, detail of the Tabernacle of the Madonna in the Loggia of Orsanmichele, built between 1355 and 1359.
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Madonna
Marble, detail height cm 110. Placed over the tomb of Fra' Cavalcanti in the church of Santa Maria Novella in the last century.
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Madonna
Marble, detail. Work by Arnoldi, who around 1361 was working as master builder at Florence Cathedral on the decoration of the second tier of reliefs.
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Madonna Sedes Sapientiae
Marble, height cm 78. This Madonna belongs to the sculptor's maturity (about 1320) and is almost certainly to be identified with the one that crowned the monument of Bishop Orso, a signed work, today partially reassembled.
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Saint Luke the Evangelist
Marble, height cm 220. The work was carved between 1408 and 1413 for Florence Cathedral.
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Scenes from the Life of St. John the Baptist
Gilded bronze, height cm 130, panels of the south door of the Florence Baptistery, made between 1330 and 1336.
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Stories of Joshua
Gilded bronze, height cm 79. Panel from the east door, known as the “Gates of Paradise”.
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Tomb of Bishop Orso
Marble, height cm 132, after 1320. Detail of funeral monument which Tino created in the Florentine Cathedral after 1320.
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Transport of the Body of the Baptist
Gilded bronze, height cm 27, detail of one of the panels of the south door. The waxes were cast by Venetian craftsmen in the years after 1330.
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Abraham and Isaac
Description: Marble, height cm 188. Executed in 1421. Group carved for the Campanile of the Duomo in collaboration with Nanni di Bartolo, known as il Rosso.
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The Ascension
Description: Bronze, detail of the second pulpit, height cm 65. Datable to 1461.
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Bacchus
Description: Marble, height cm 195, this work was carved in Rome, in 1496, for the collector Jacopo Galli.
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Bust of Cosimo I de' Medici
Description: Bronze, detail, height cm 110. Commissioned by the Grand Duke of Tuscany, 1545-1548.
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Bust of a Young Warrior
Description: Terracotta, height cm 50. Datable shortly after 1470.
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Battle of the Centaurs
Description: Marble relief, cm 84,5 x 90,5. Executed in 1491-1492. It represents a battle of centaurs: a classical theme revisited by Michelangelo with violent expressive force.
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Crucifix
Description: Painted wood, height cm 160. This work, of about 1415, concludes the sculptural career of the artist, who then devoted himself to architecture.
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Crucifix
Polychrome wood, height cm 135, datable to 1494. Made for the church of Santo Spirito.
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David
Description: Marble, height cm 191. Commissioned from the artist by the Opera di Santa Maria del Fiore in 1408. It was then moved to Palazzo Vecchio in 1416 and partially reworked.
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David
Description: Bronze, height cm 126, created between 1472 and 1475 for the De' Medici.
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David
Description: Marble, height cm 420. The work, executed in 1501-1504, the young Michelangelo's first civic commission, was intended to stand in front of the Palazzo della Signoria and become the symbol of the Florentine Republic.
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The Beheading of the Baptist
Description: Silver, height cm 29, detail of the relief on the right side of the St. John altar, executed between 1477 and 1490.
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The Descent from the Cross
Description: Bronze, detail of the first pulpit, height about cm 75. The two pulpits were commissioned by Cosimo the Elder around 1461 and made with the help of several assistants, including Bertoldo and Bartolomeo Bellano.
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Hercules and Antaeus
Description: Bronze, height cm 45. Commissioned by the Medici from the artist, who also treated the mythological theme of the Labours of Hercules in painting.
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Eros
Description: Bronze, height cm 90. This work was executed for Isabella d'Este, who came to Mantua from Ferrara in 1490 to marry Francesco Gonzaga.
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The Funeral of St. Francis
Marble, detail of the pulpit, height cm 70. Executed between 1475 and 1480.
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Jeremiah
Description: Marble, height cm 191. One of the Prophets executed between 1423 and 1425 for Giotto's Campanile, commissioned by the Arte della Lana.
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Judith and Holofernes
Description: Bronze, height cm 180. Executed between 1445 and 1460. The work was commissioned by Cosimo de' Medici to celebrate Medici power and later became a civic emblem, the symbol of the Republic overthrowing tyrants.
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Judith and Holofernes
Description: Bronze, detail of the head of Holofernes. Executed between 1455 and 1460.
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The Prisoner - Atlas
Description: Marble, height cm 277. Allegorical figure executed about 1530-1536, intended for the tomb of Julius II.
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The Awakening Slave
Description: Marble, height cm 267. Allegorical figure designed for the Tomb of Julius II and executed between 1530 and 1563.
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Victory
Description: Marble group, height cm 261, intended for the Tomb of Julius II, executed about 1532-1534.
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Lady with a Bunch of Flowers
Description: Marble, height cm 60. Executed about 1478, a Medici commission.
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Madonna and Child
Description: Polychrome stucco and papier-mâché, height cm 60. Probably executed in Venice, where the artist moved after the Sack of Rome in 1527.
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Madonna of the Stairs
Description: Marble bas-relief, height cm 55,5. The work belongs to the last decade of the 15th century, when the young Michelangelo was serving his apprenticeship at the Medici Academy, practising the study of anatomy and of ancient statuary.
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Funerary Monument of Carlo Marsuppini
Description: Marble, height about cm 650. Carlo Marsuppini was chancellor of the florentine Republic between 1455 and 1458.
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Funerary Monument of Carlo Marsuppini: a putto
Marble, height cm 50, detail. The two putti holding the coat of arms, which echo the Hellenistic character of Donatello's small bronzes, are placed at the base of the sarcophagus.
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Funerary Monument of Leonardo Bruni
Description: Marble, detail of the head of the deceased. Executed in 1450. Leonardo Bruni had been chancellor of the Florentine Republic and author of the “Historie Fiorentine”. The recumbent deceased holds in his hands a copy of the book he wrote.
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Funerary Monument of Leonardo Bruni
Marble, height about cm 610. Executed in 1450. The monument is rich in classical elements, both as a whole, framed by an arch supported by pilasters, and in its details: the slab on which the deceased lies is supported by eagles, the cartouche by two winged Victories.
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The Birth of the Baptist
Description: Silver, detail of the relief on the left side of the St. John altar, executed between 1477 and 1480. Pollaiolo had begun as a goldsmith and often returned to this activity during his life.
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Piero de' Medici
Description: Marble, detail, executed in 1460. This is the first portrait bust of the Renaissance. These mortuary portraits were taken from casts made of the faces of the dead in order to perpetuate their features.
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Pietà
Description: Marble group, height cm 226, executed in 1550-1556 with several interruptions; it was intended for the altar of the sculptor's funerary chapel.
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Pietà
Marble, detail of the Tabernacle of the Sacrament, height cm 70. Executed about 1461.
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Dancing Putto
Description: Marble, detail of the cantoria originally placed in the Duomo, dismantled in 1668 and reassembled in the museum after 1883.
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Putto Playing Music
Description: Marble, detail of the Cantoria. The artist executed the Cantoria for the Duomo in 1432-1435, in competition with Donatello's.
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Resurrection
Description: Bronze, detail from the relief on the Second Pulpit, height about cm 60 about 1461.
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The Resurrection of Christ
Description: Polychrome terracotta, height cm 133, from Villa Medicea in Careggi.
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St. George
Description: Marble, height cm 209. Executed about 1417, commissioned by the Arte dei Corazzai for an outer niche of Orsanmichele.
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Saint Matthew
Description: Marble, height cm 271. It is the only one executed of the twelve Apostles planned for Florence Cathedral, made between 1504 and 1506.
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Sarcophagus of Giovanni and Piero de' Medici
Marble, bronze and stone, height cm 540. The monument, dated 1470-1472, consists of a sarcophagus with bevelled corners embellished with reliefs, framed by an arch with plant and heraldic motifs.
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Tomb of the Cardinal of Portugal
Description: Marble, height about cm 400. Executed in 1461-1466. The tomb was built for the remains of Jacopo di Lusitania, nephew of King Alfonso VI. The chapel was built by Manetti, one of Brunelleschi's spiritual heirs.
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Tomb of the Cardinal of Portugal: a putto.
Description: Marble, detail height about cm 25.
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Tomb of Giuliano de' Medici
Description: Marble, height about cm 600. Executed between 1526 and 1534. In the niche is the statue of Giuliano, Duke of Nemours, who died in 1516; on the sarcophagus are the allegorical figures of Day and Night.
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Tomb of Lorenzo de' Medici
Description: Marble, height about cm 250, detail of the statue of Lorenzo, Duke of Urbino, who died in 1519, and of the allegorical figures of Dusk and Dawn. Executed about 1525.
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Fountain of Venus
Commissioned around 1575 by the Medici for the Boboli Gardens. The fountain is also called the “Venus of the Grotticella”.
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The Rape of the Sabine Women
Bronze bas-relief at the base of the marble group. Executed in 1583.
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Summer
Marble, height about cm 230. Active in Florence and Pisa, Caccini owes his fame to the allegories on the bridge over the Arno.
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Virtue Subduing Vice
Description: Marble, detail. The work was commissioned in 1565 by Francesco I De' Medici for Palazzo Vecchio.
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Virtue Subduing Vice
Description: Marble. Commissioned in 1565 by Francesco I de' Medici for Palazzo Vecchio.
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Mercury
Bronze, height cm 180. Three different versions: the first go back to 1550, this copy displays the artists maturity.
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